Friday, January 9, 2009

November 29th 2008



November 29th 2008 is a performance, 
which deals with deals with dead objects. Objects 
that have lost their previous meaning. The 
piece exercises the idea of RE:energizing detritus 
by personal interaction

Sunday, November 9, 2008

Eco System #2




Live plants, Water, Live Organisms, Light, 
Rubber Tube, Air Pump, Two rubber bands,
 one fish, 4 snails, Glass Container.  
 -Vincent Finazzo

Composition with Cigarette Butts



By Vincent Alexander Finazzo



Motion Picture work 
projected in space at Happy Collaborationist Exhibition Space. 
by Vincent Alexander Finazzo

Once More

"RE:Think"  11-3-2008
Vincent Alexander Finazzo

Future Farmer

Out lining The direction of imagery. 

-Vincent Alexander Finazzo

Saturday, November 1, 2008

UnSustainable

Arranging can be a place where one can find great happiness and great despair. To put into proper order or into  correct or suitable sequence. How can art, with in the borders of formalistic qualities, follow a suitable sequence of events? I feel that in order to understand the ideals behind the arranging of objects, thoughts or even processes one must be ready to dig from the bottom and surface. Now to cap it, how can art outside the borders of formalism be arranged? I think that once an "object" is arranged or thought to be, formal qualities immediately come into play. To arrange the Artist must impose her/his will onto the material. In a way by relating to or involving the outward form, structures, relationships, or arrangement of elements rather than content, you must accept the ways of formalism. Can you work out side it? I would like to say yes, but, how? In fact, here formalism is seeming to be the guidelines for art work at its essence. What about working with old materials hat had/ have formalist qualities? can you work with a ideal without being completely inside it?


Vincent Finazzo 11/1/08